ARABIAN DECORATION

Going to school of interior decoration and learning all the simple facts about the history of interiors, decoration and layout further objectified this. I learned that i had a knack for decorating and design. That I not only could design but I could explain my design to others and the teachers gave me “A’s for my work in all my classes.
At Pratt I learned to design, why things were the ways they wsere. And most importantly the basic principles of two and three-dimensional design. I learned to draw and the build models and to design a variety of building types and things including furniture, textiles, cloths, etc.
I also learned that it was more than interiors I loved, but building's and there shapes and forms. I could design space both inside and out side space; and, I discovered the art of architecture and design.
Finally, at Yale I learned to think, reason, and rationalize design and programming. I learned to describe and define space, structure and what made building requirements and shape of the buildings.
One of many architects in the twenty first century now are designing and thinking about what I did in the mid twentieth century. For example Madhu Thangavelu – architect and engineer says
“I tend to meditate upon natural and biological forms and processes to find inspiration and metaphors for my work."
I was concerned about the relationships between the body, objects, and space connecting fine art experimentation with development of the ethical imagination in work in the public sphere. In today's world, the designer is charged with reconceptualizing the entire habitable realm toward sustaining the art of living. At various schools, students develop creative design strategies that engage the personal and local, as well as the public and the global environment. For example I designed the Virgin Island Pavilion considering its relationship to the biology and shell structures ON the Island; the contemporary theories of the Universe exhibition structure I designed as a globe containing a ramp down with cosmetology exhibits in words, recording and moving pictures. In 1999 a New York Architect used my design ideas to design a wing of New York’s Museum of Natural History. Planetarium. He was one of visiting design critiques at Yale University. I completed this design at Pratt. I followed relationships of people with there experience in psychic, social and personal stimulus measuring there feelings and intimate relationship of form of there body and the nature surrounding to the form of the building and its interior appurtenances.
I originally gravitated toward architecture because I could study and “do” it. I could “cross the tees and dot the I's. I later took this ability and experience to writing policies and procedures. I found that I could not design house plans and builders decorations because it is chaotic and extemporaneuos. I need something which is studied, deliberate and where I can seek and find the talent latent with in me to bring out the work. In this way architecture and design were fit for my personality. Like wise I discovered that where art and a striving for excellence and soaring to new heights stopped are where the mediocre of the world comes into being. Mediocrity is the result of sloth, laziness and an inane craft, design and planning.
I found my self in the places like Saudi Arabia not called. Rushed, and hassled.

We didn't have much to do in Sidi Ifni so we decided to revisit Leghzira (or legzira) beach although we had been there three years before. It was a very good idea as it was great to see the unbelievable rock arches again and this time I had the crazy idea to return to the town on foot. So we climbed up the cliffs above the arches and enjoyed the fantastic view from a different angle. We also discovered a fourth arch that we didn't know existed at all.

Mivel Sidi Ifniben nem volt tul sok tennivalo, ugy dontottunk, ismet ellatogatunk Leghzira (Legzira) tengerpartjara, amely a varostol 14 kilometerre talalhato. Nagyszeru otletnek bizonyult. Egyreszt jo volt ismet megcsodalni a hihetetlen sziklaiveket, masreszt a vegen az az orult otletem tamadt, hogy menjunk vissza Sidi Ifnibe gyakog. Igy felmasztunk a kokapuk feletti szikakra, es felulrol is megnezhettuk oket. Raadasul felfedeztunk egy negyedik kaput is, aminenk a letezeserol nem is tudtunk.